STAR TREK: THE NEXT GENERATION "Shades of Gray" #40272-148 Story by Maurice Hurley Teleplay by Maurice Hurley and Richard Manning & Hans Beimler Directed by Rob Bowman THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH THE TELEVISION LEGAL DEPARTMENT. Copyright 1989 Paramount Pictures Corporation. All Rights Reserved. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. REVISED FINAL DRAFT MAY 1, 1989 STAR TREK: "Shades of Gray" - 5/1/89 - CAST STAR TREK: THE NEXT GENERATION "Shades of Gray" CAST PICARD RIKER DATA PULASKI TROI GEORDI O'BRIEN Non-Speaking MEDICAL TEAM (2) STAR TREK: "Shades of Gray" - 5/1/89 - SETS STAR TREK: THE NEXT GENERATION "Shades of Gray" SETS INTERIORS EXTERIORS USS ENTERPRISE PLANET SURFACE TRANSPORTER ROOM SICKBAY PULASKI'S OFFICE STOCK OPTICALS USS ENTERPRISE PLANET STAR TREK: "Shades of Gray" - REV. 5/2/89 - TEASER 1. STAR TREK: THE NEXT GENERATION "Shades of Gray" TEASER FADE IN: 1 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) in orbit around a planet. 2 EXT. PLANET SURFACE - DAY GEORDI is moving through some underbrush. GEORDI Commander? RIKER (O.S.) I'm over here, Geordi. 3 ANOTHER ANGLE As Geordi rounds a bend and comes upon RIKER who is frowning. GEORDI What's wrong? RIKER Something jabbed me in the calf... Riker inspects his leg. There's a spot of blood. GEORDI (touches his communicator) O'Brien -- Commander Riker's been injured -- lock on and bring him up. O'BRIEN'S COM VOICE Stand by. Riker protests: RIKER Geordi, it's just -- STAR TREK: "Shades of Gray" - REV. 5/1/89 - TEASER 2. 3 CONTINUED: GEORDI (finishes it) A scratch. Right. Sorry, Commander, but we can't take any chances. We're the first survey team to set foot on this planet... we don't know what the risks are. 4 INT. TRANSPORTER ROOM O'BRIEN inputs the coordinates but when he attempts to beam them up, an ALARM SOUNDS on the console. 5 EXT. PLANET SURFACE - DAY Geordi impatiently touches his communicator. GEORDI What's the hold up, O'Brien? 6 INT. TRANSPORTER ROOM O'Brien is working on his control panel. O'BRIEN The transporter has detected unidentified microbes in Commander Riker's body. GEORDI'S COM VOICE Can't the biofilters screen them out? O'BRIEN Apparently not. 7 EXT. PLANET SURFACE - DAY As Geordi and Riker listen. O'BRIEN'S COM VOICE Doctor Pulaski has been notified. GEORDI Acknowledged. Riker treats it lightly. STAR TREK: "Shades of Gray" - REV. 5/3/89 - TEASER 3. 7 CONTINUED: RIKER I didn't want to leave just yet, anyway. 8 INT. TRANSPORTER ROOM PULASKI is now present with full medical kit. O'Brien is filling her in, showing her a readout on the console. O'BRIEN Here's the biofilter's analysis of the microbes. PULASKI Not much to go on... O'BRIEN I can override and beam Commander Riker aboard... Pulaski gives it thought, shakes her head. PULASKI No. I'd better go down and make an evaluation there. Pulaski strides to the transporter pad, steps onto it, looks around at the transporter with distaste. O'Brien picks up on this, feigns uncertainty as he sets the coordinates: O'BRIEN Hmm... I hope these are the right coordinates... Pulaski gives him a sharp look. O'Brien grins. O'BRIEN (cont'd) Just kidding, Doctor. I know how much you love the transporter... PULASKI About as much as I love comical transporter chiefs... 9 OMITTED STAR TREK: "Shades of Gray" - REV. 5/3/89 - TEASER 3A. 10 EXT. PLANET SURFACE - DAY (OPTICAL) Riker and Geordi as before. Pulaski MATERIALIZES, takes a beat to check that she's still in one piece, takes out her medical tricorder, and steps over to Riker. PULASKI Fill me in. RIKER I was walking along, minding my own business, making a simple geological sweep... and something stuck me in the leg. PULASKI Any pain? STAR TREK: "Shades of Gray" - 5/1/89 - TEASER 4. 10 CONTINUED: RIKER No -- a little numb, that's all. PULASKI Do you know what it was that stuck you? Riker shakes his head. GEORDI We've been looking for it, but no luck. Pulaski continues her scan. PULASKI Well, whatever it was, it left something behind... I'm going to bring you up to Sickbay. 11 OMITTED 12 NEW ANGLE Pulaski rises and touches her communicator. PULASKI O'Brien, this is Doctor Pulaski. Medical override is authorized. Beam us directly to Sickbay. O'BRIEN'S COM VOICE Acknowledged. 13 thru OMITTED 15 15A INT. SICKBAY (OPTICAL) Two MEDICAL CREWMEN are standing by. Geordi, Riker, and Pulaski MATERIALIZE. The medical crewmen cross to Riker's side to help him over to a medical table. Riker waves them away. RIKER I can walk to the table, thank you. STAR TREK: "Shades of Gray" - REV. 5/1/89 - TEASER 5. 15A CONTINUED: PULASKI Commander, don't start acting heroic. RIKER Doctor, for personal reasons, I'll walk. PULASKI May I ask why? RIKER I've always had the notion that if I was ever so injured that I couldn't make it on my own two feet... it would be over. PULASKI Medically speaking, that's ridiculous. RIKER You'll get no argument from me, but... that's how I feel. Riker takes a step toward the bed. His leg gives out on him; he falls. Riker's more surprised than anything else. RIKER (cont'd) Whoa -- The medical crewmen pick Riker up and put him on the table. RIKER (cont'd) This is the strangest feeling. My whole leg just went -- dead. Off Pulaski's concerned reaction: FADE OUT. END OF TEASER STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT ONE 6. ACT ONE FADE IN: 16 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) The ship is still in orbit. PICARD (V.O.) Captain's log, Stardate 42976.1. During a geological survey of Surata Four, Commander Riker has become infected by an unidentified microbe. 17 thru OMITTED 19 20 INT. SICKBAY Riker is on the center table. Pulaski is off to the side studying her instruments. PICARD ENTERS. Through all of this there is a great deal of tension even though those in the room maintain a detached, scientific demeanor. Picard approaches the center examining table. PICARD Number One. RIKER Captain. PICARD Put your foot where it didn't belong, did you? RIKER (nods) The doctor's been getting bored lately. I thought I'd find her a challenge... PULASKI That you did. 21 ANOTHER ANGLE Pulaski leaves a work station and steps over to the wall panel. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT ONE 7. 21 CONTINUED: PULASKI The commander's nervous system has been invaded by an unknown microorganism. Not a bacteria, not a virus -- but with elements of both. She activates the wall panel. 22 PULASKI AND WALL PANEL (OPTICAL) Displayed on the wall panel is a rendering of Riker's body. Pulaski touches the panel, and the injury to Riker's leg becomes highlighted. PULASKI (indicates) There's the point of entry... 23 thru OMITTED 24 25 SCENE (OPTICAL) Pulaski turns back to the examination table. She holds a sophisticated scanner. PULASKI The microbes have infected the great sciatic nerve... they're multiplying at an incredible rate. She moves the scanner near his leg. PULASKI (cont'd) (indicating the screen) There. The nerves in Riker's injured leg are now highlighted. The highlighting extends up the major nerves into Riker's thigh. PICARD Can you remove it? PULASKI Not surgically. The organisms fuse to the nerve, intertwining at the molecular level. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT ONE 8. 25 CONTINUED: RIKER That's why the transporter's biofilters couldn't extract them. PULASKI There's no evidence of nerve damage, but the organisms are impeding nervous function. RIKER (nods) My leg's still asleep. PICARD (to Pulaski) Your prognosis? PULASKI The infection is spreading. It will eventually reach the brain. PICARD And if it interfered with neural activity there... PULASKI Commander Riker could die. Riker takes it stoically. PICARD How can I help? PULASKI I need to know more about its composition. PICARD And for that, you need a sample. PULASKI Exactly. Picard touches a com panel: STAR TREK: "Shades of Gray" - 5/1/89 - ACT ONE 9. 25 CONTINUED: (2) PICARD Mister Data, Mister La Forge -- prepare to beam down to the planet. 26 OMITTED 27 INT. TRANSPORTER ROOM DATA and Geordi are preparing to mount the platform. Each carries a tricorder and a large phaser. O'Brien is behind the console. DATA I must reiterate that it would be better if I went alone. GEORDI Don't like my company? DATA Your company is not at issue. Your vulnerability to this microorganism is. GEORDI I'll watch where I step. Besides, how do we know that this bug doesn't like androids even more than it likes humans? DATA Possible, but highly unlikely. In any event, why risk both of us? GEORDI Because I know exactly where Commander Riker was when it happened. Data accepts the logic, and they climb onto the transporter pad. 28 OMITTED STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 10. 28 OMITTED 29 EXT. PLANET SURFACE - DAY (OPTICAL) Data and Geordi MATERIALIZE. Because of what happened to Riker this place is ominous. GEORDI He was right over here. Geordi is very careful where he steps as -- 30 ANOTHER ANGLE -- he and Data move to the spot and hunker down. Geordi examines the area with his VISOR while Data begins a meticulous scan with his tricorder. DATA I detect no animal life within fifty kilometers. Merely vegetation. (a beat) However, I am reading extensive animal remains -- mostly fossilized. GEORDI A graveyard? DATA I do not know. They keep looking. GEORDI Look at this. Geordi indicates an unusual-looking vine. Data turns his attention to the vine. DATA The structure is rhizomatous. Data reaches down to touch the vine. GEORDI Be careful. DATA I am always careful. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT ONE 10A. 31 ANOTHER ANGLE As Data lifts the vine up off the ground. The vine looks dead -- harmless. DATA It appears to be dead. Geordi examines the vine with his VISOR. GEORDI I'm not so sure. I can see thermal variations... (gets an idea) Data, set it down. Let's try something. Data does so. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT ONE 11. 31 CONTINUED: GEORDI (cont'd) Perhaps it likes humans more than androids. Geordi slowly extends his hand to the vine, inviting it to "strike." DATA If you are correct, you are placing yourself in grave danger. GEORDI I'm counting on those great android reflexes of yours... 32 CLOSER ANGLE as Geordi's hand nears the vine. All at once, the vine moves -- springing toward Geordi's hand. But Data moves faster, grabs the vine and holds it. 33 THE VINE Data turns the vine over -- and we can now see a meanlooking thorn protruding from the underside of the vine. 34 DATA AND GEORDI As they study it. GEORDI I'd say that's what we're looking for. DATA I would tend to agree. Geordi makes an adjustment to his phaser as Data holds the vine. 35 thru OMITTED 36 36A CLOSE ON THE THORN (OPTICAL) as Geordi fires up a pinpoint phaser beam to cut loose the thorn. But the moment the beam touches the vine: STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 12. 36B WIDER The area around Geordi and Data begins to move. Large clumps of vines vibrate. It is as if they are standing on a great living thing, which has just awoken, and is very angry. GEORDI (touches communicator) O'Brien! Stand by! (to Data) Hold it still. Data has to make an effort to keep the vine in his hands from moving as the vines around them continue their frantic oscillation. Geordi finishes his task, slaps his communicator: GEORDI (cont'd) Got it. Energize! 36C INT. TRANSPORTER ROOM (OPTICAL) O'Brien is behind the console. Picard ENTERS as O'Brien hits the button. Geordi and Data MATERIALIZE on the platform. 36D NEW ANGLE as Geordi looks himself over. No blood anywhere. GEORDI Thanks, O'Brien. Another minute, and we'd've been fossils ourselves. DATA Not precisely, Geordi. True fossilization requires several millennia. Geordi strides off the platform, shows Picard the thorn he's carefully holding. GEORDI Captain, here's your sample. PICARD Get it to Sickbay right away. Geordi EXITS with the thorn. Picard crosses to Data. STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 13. 36D CONTINUED: PICARD (cont'd) Report. DATA Captain, the commander's injury was not accidental. Certain vines on the planet evidently seek out warm-blooded beings and deliberately infect them. PICARD To what end? DATA Unknown. It is conceivable that there is a symbiotic relationship involved... Data hesitates. Picard prompts him: PICARD Go on. DATA There were numerous animal remains in the area, leading me to hypothesize that the vines could be predatory. PICARD Then they infect animals in order to kill them. DATA It is possible. (a beat) For Commander Riker's sake, I hope my hypothesis is in error. PICARD Unfortunately, Mister Data, your hypotheses rarely are. Off Picard's concern: 37 OMITTED FADE OUT. END OF ACT ONE STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 14. ACT TWO FADE IN: 38 OMITTED 38A INT. PULASKI'S OFFICE Pulaski is at a library console, entering data. Picard is looking over her shoulder. One of the medical crewmen enters, hands Pulaski a chip which she inserts into the console. She's not pleased with what is displayed. PULASKI All negative. PICARD There's nothing that will cure this infection? PULASKI This microorganism is very mysterious. I can't even figure out what's keeping it alive. PICARD Or how to kill it. PULASKI Oh, I can kill it... but not without destroying the nerves it's inhabiting. Pulaski takes a breath. Her frustration is evident. PICARD I know you're doing your best... PULASKI My best may not be good enough. 39 INT. SICKBAY Riker, lying on the bed as before, flexes his right arm by making a fist and then spreading his fingers wide. His look of concern tells us the numbness is spreading. Picard ENTERS from Pulaski's office. Riker relaxes his hand and covers his anguish with a smile. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 15. 39 CONTINUED: PICARD Comfortable? RIKER How could I not be comfortable? I'm being waited on hand and foot. Riker puts his left hand behind his head -- a "kickback-and-relax" gesture. RIKER (cont'd) My only worry is that they'll find out I'm faking it. But, of course, Picard knows this is no charade. PICARD I wish you were faking it. I've seen the thorn, Number One. RIKER The doctor showed it to me, too. Harmless-looking thing, isn't it? Picard can't help but feel pride at the stoic, almost cheerful outlook of his subordinate. PICARD But deadly. (a beat) I'm sorry. RIKER These things happen. PICARD When you least expect them. RIKER I'm surprised they don't happen more often. After all, we are exploring the unknown. Picard's frustration begins to show: PICARD And now and then we are humbled... reminded that the universe contains much that is beautiful... and much that is malevolent. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 16. 39 CONTINUED: (2) RIKER Captain, I hardly think the vine that struck me did so out of malice. (a beat) If I've learned anything aboard this ship... from our voyages... from you... it's that most life forms act out of an instinct for survival -- not out of evil. Picard smiles at his protege. PICARD A worthy lesson. I admire your lack of rancor, Number One. RIKER Captain, if you drop a hammer on your foot, it's rather useless to get mad at the hammer. Picard looks at his friend with admiration, then EXITS into Pulaski's office. 39A INT. PULASKI'S OFFICE Pulaski is still working away at her console as Picard ENTERS. PICARD Anything? PULASKI Not yet. PICARD Doctor, we're running out of time. STAR TREK: "Shades of Gray" - 5/1/89 - ACT TWO 17. 39A CONTINUED: Pulaski turns, gives Picard a glare. Picard backs off. PICARD (cont'd) You're right. I don't need to remind you of your duties. I didn't mean to give offense. PULASKI (smiles) None taken. Pulaski turns back to her work. PULASKI (cont'd) Now get out of my hair. PICARD Aye aye, Doctor. And Picard EXITS. 40 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) in orbit around the planet. 41 OMITTED 42 INT. SICKBAY One of the medical crewmen is running the scanner over Riker's body. Riker's weak; his arms and legs are so much dead weight, and it's a bit of an effort for him to speak. Still, he's at his most charming: RIKER This bug's persistent, I'll admit. But I'm not worried. We Rikers are ornery, too... The crewman can't help cracking a smile. In b.g., TROI ENTERS. Riker doesn't see her. RIKER (cont'd) In fact, my great-grandfather was once bitten by a rattlesnake. After three days of intense pain -- the snake died. The crewman's smile widens. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 18. 43 ANOTHER ANGLE as Troi steps forward. Riker sees her, doesn't change expression -- but falls silent. The crewman completes the scan, puts away the scanner, EXITS... leaving Troi and Riker alone in the room. A long beat. Troi crosses to Riker's side. TROI You're a very entertaining patient. RIKER I try. TROI Yes. You're making quite an effort to be cheerful. It's almost an accusation. Riker stares at her, drops all pretense. RIKER You of all people should know... TROI You feel what anyone in your place would feel. RIKER But I'm the first officer of this ship. I have to set an example. TROI Even now? RIKER Now most of all. Deanna, facing death is the ultimate test of character. I don't want to die -- but if I have to, I want to do it with a little pride. TROI And a lot of impudence. RIKER (smiles) You bet. Dying is bad enough -- but losing my sense of humor? Forget it. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 19. 43 CONTINUED: Troi looks at him with love and compassion, gently reaches out, touches his face. TROI Imzadi... 43A NEW ANGLE A shared moment. Then Riker's devil-may-care manner returns: RIKER I haven't given up yet. The best medical team in Starfleet is on the case... I'm sure they'll... And suddenly, Riker's voice trails off -- and he loses consciousness. Alarmed, Troi looks at the diagnostic readouts -- Riker's vital signs are falling fast. 44 PULASKI ENTERS quickly and examines Riker. 45 ANGLE ON THE WALL PANEL (OPTICAL) as Pulaski punches up the display of Riker's nervous system. The highlighting has expanded and now reaches the spinal column. PULASKI It's spread to the spinal column. It's weakening his autonomic nervous system. 45A ON PULASKI as she picks up a hypospray, gives Riker a shot. Riker doesn't respond, but his vital signs stabilize -- still quite low. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT TWO 20. 45A CONTINUED: PULASKI Judging by its present rate of growth and infiltration pattern, the infection will reach his brain within an hour. On Troi's reaction: CUT TO: 46 thru OMITTED 56 57 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) Orbiting the planet. PULASKI (V.O.) Medical log, Stardate 42976.2. I can't keep the alien infection from spreading to Commander Riker's brain. 58 INT. SICKBAY Riker is unconscious. At the head of Riker's bed is a strange device -- a tunnel-shaped apparatus designed to encircle the patient. On one side is a binocular eyepiece somewhat like an electron microscope's. Troi looks on as Pulaski and the two medical crewmen position the device. Over this: PULASKI (V.O., cont'd) Once there, it will kill him by dampening neural impulses. The only way I can keep him alive is to force the neurons to stay active -- by stimulating them directly with electrical impulses. 59 NEW ANGLE as the crewmen prepare the device. PULASKI Let's proceed. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT TWO 20A 60 ON RIKER His head has been clamped to the table to keep it perfectly motionless. The device slides slowly into place, surrounding his head. STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 21. 61 ON PULASKI as she puts her eyes to the eyepiece and operates the controls of the device. 62 ON RIKER as his head is bathed in light. Two thin, needletipped probes extend from the device. The probes break the skin of Riker's temple, keep moving until about three inches of the needle tips have been inserted into Riker's head. 63 ON PULASKI keeping her eyes to the eyepiece and making fine adjustments to the device. 64 OMITTED 65 ON RIKER as two more probes appears, insert themselves into Riker's forehead. 66 ON PULASKI nodding with satisfaction. PULASKI Good... She makes more adjustments. 67 ON RIKER as two more probes insert themselves into Riker's head from underneath, entering at a point underneath the ear. Once those probes are in place, two more probes appear and insert -- making a total of eight. 68 ON PULASKI taking her eyes from the device's eyepiece, checking Riker's vital signs monitor, and turning to one of the medical crewmen: STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 22. 68 CONTINUED: PULASKI Stand by with five milligrams of tricordrazine in case of seizure. (takes a breath) Here goes... She presses a panel on the device. 68A thru OMITTED 70 71 A SLOW PUSH IN on Riker's face as Pulaski activates the current. Riker's face twitches involuntarily as current is applied to the probes -- and then he is motionless. Then a variation of the ripple dissolve... DISSOLVE TO: 71A EXT. PLANET SURFACE (STOCK FROM #107 SCENES 34 TO 37) Dimly lit, a twilight world of overcast, turbulent skies hanging heavily over a strange landscape of coral-like "trees." LIGHTNING explodes above, as a dull THUNDER echoes through this eerie labyrinth. In a relatively clear area, Riker suddenly materializes... alone! He's woozy, but in one piece. He looks around, perplexed, worried. RIKER Tasha? Data? Geordi? Worf?! No answer. Riker scrambles toward a nearby rise, through the "forest," and up the incline... reaching the top. He surveys the surrounding area, with no luck. Landscape. No sign of anything lifelike. More THUNDER o.s. RIKER Anybody?! DISSOLVE BACK TO: STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT TWO 22A. 71B INT. SICKBAY (OPTICAL) CLOSE on Riker's sweating, tormented face. WIDEN to include Troi and Pulaski. Pulaski punches up the view of Riker's nervous system. The highlighting now includes part of the brain. Pulaski then examines the vital signs monitor: PULASKI We've stimulated random wave activity, but the patterns are dangerously erratic. TROI (under her breath) Hang on, Will... On Troi's expression of concern, we -- FADE OUT. END OF ACT TWO STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 23. ACT THREE FADE IN: 72 thru OMITTED 74 74A INT. SICKBAY CLOSE on an unconscious but highly agitated Riker. WIDEN to include Troi and Pulaski. Pulaski makes a series of adjustments to the device. PULASKI The wave patterns are still too irregular. TROI Why won't they stabilize? PULASKI Wait -- I've found the proper amplitude -- Pulaski makes a small adjustment. After a beat: PULASKI (cont'd) There. The patterns are steadier. TROI Is the stimulation preventing the infection from taking hold? PULASKI For now. Pulaski studies the monitor. PULASKI (cont'd) The vertex waves indicate a K-complex corresponding to an R.E.M. state. TROI He's dreaming. 74B ON RIKER his expression less agitated than before... DISSOLVE TO: STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 23A. 74C INT. HOLODECK CORRIDOR (STOCK, #102 SC. 133-140) The Parkland hidden at this moment by a WILD SECTION OF CORRIDOR WALL AND HATCHWAY which, when the hatch is opened, will REVEAL PARKLAND. COMPUTER VOICE (continuing; without delay) And if you care to enter, Commander... RIKER (snaps; interrupting) I do. Immediately, the hatch slides open and WE SEE THE PARKLAND (LOCATION). It looks (and is) real, including land contours, trees, and even a small stream nearby. Beyond that the Parkland stretches off for what appears to be miles and miles away to the horizon. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 24. 74D ANGLE BACK TOWARD HATCHWAY as Riker ENTERS through it and stands inspecting the Parkland scene with genuine appreciation and then HEARS SOMEONE WHISTLING A MELODY, but doing it rather badly and laboriously. 74E ANGLE PAST RIKER INTO PARKLAND as he MOVES AWAY, seeking the source of the WHISTLING which will begin to grow LOUDER now. 74F ANGLE AT STREAM as Riker crosses, stepping from rock to rock. He makes a misstep, almost falls, then recovers and gets across. He looks back at the stone which caused it. 74G CLOSER ON RIKER As he walks, the WHISTLING is nearby now. He stops, calls: RIKER Hello! The WHISTLING has continued without pause. Riker cocks his ear, corrects his direction slightly. 74H EXT. WOODLAND GLEN Riker ENTERS SHOT through shrubbery, sees something and stops. 74I ANGLE ON DATA Lying there, cushioned by deep grass. He's totally absorbed in certain melody notes he's attempting -- and keeps missing. 74J PANNING RIKER Moving onto TWO SHOT where he stops, and WHISTLES the same melody, hitting the correct notes. A startled Data looks up blankly, then comes quickly to his feet, but Riker waves him back down, sits beside him. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 25. 74J CONTINUED: DATA Marvelous how easily humans do that, sir. I still need much practice. Riker hesitates, then: RIKER There are some puzzles down on the planet that Captain Picard wants answered. He suggests I take you on the away team I'll be leading. DATA I shall endeavor to function adequately, sir. Riker hesitates, wanting to say something but not sure how to begin. RIKER Uh, yes. And when the captain suggested you I, uh, looked up your record... (hesitates) DATA Yes sir, a wise procedure always. RIKER Then, your rank of lieutenant commander is honorary. DATA No, sir. Starfleet Class of '78; honors in probability mechanics and exobiology. RIKER But your files... they say you're a... DATA (waits; then) Machine? Correct, sir. Does that trouble you? RIKER (hesitates) To be honest... yes, a little. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 26. 74J CONTINUED: (2) DATA Understood, sir. Prejudice is very human. RIKER Now that troubles me. Do you consider yourself superior to us? DATA I am superior in many ways. But I would gladly give it up to be human. RIKER (studies Data; then) Nice to meet you, Pinocchio. Data seems uncomprehending. RIKER (continuing; explains) A joke. DATA (straight-faced) Ah! Intriguing. RIKER (big grin) You're going to be an interesting companion, Mister Data. 75 thru OMITTED 78 79 INT. MAIN BRIDGE (STOCK FROM #128 SCENE 45) Riker looks up from a panel. RIKER All stations have reported, Captain. There seems to be no immediate threat to our ship or crew. As Riker stands looking at the dark Viewscreen, Picard moves up to stand beside him. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 27. 79 CONTINUED: PICARD In which case, let's hold position for a while, Number One. This is worth studying. RIKER Incredible. It's like looking off into... infinity, sir. (turns to Picard) Remember the course in ancient history at Starfleet Academy? Back to the time when men still believed the Earth was flat? PICARD (smiles) And that the sun revolved around the Earth... RIKER And if a ship sailed too far out into the ocean it would fall off the edge of the world... Riker turns back to look at the empty void on the viewscreen. PICARD "Beyond this place there be dragons... " It was even said that crews would threaten to hang their captain from the yardarm if they refused to turn back. RIKER I'm sure no one here has that in mind, sir. PICARD How comforting, Number One. 79A thru OMITTED 80 80A INT. TEN-FORWARD (STOCK FROM #136 SCENE 28) Wesley sits with Riker at the bar. Guinan watches them from behind the bar. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 28. 80A CONTINUED: WESLEY But what do I say? How should I act? What do I do? Riker turns to Guinan and motions toward a nearby empty table. RIKER Guinan, I need your help. Could you sit over there? GUINAN That seems simple enough. Guinan walks around the bar and heads for a table. Riker and Wesley follow. Guinan sits. Riker sits beside her. Wesley stands off to one side. RIKER (to Wesley) The first words out of your mouth are the most important. You could start by saying something like... (turns to Guinan) ... "you're the most beautiful woman in the galaxy." Riker holds the look for a moment, then turns back to Wesley. RIKER (continuing) But that might not work. GUINAN Yes it would. Riker is relieved and amused. This is going to be fun. He turns to Guinan. RIKER If you only knew how much I wanted to tell you that. GUINAN But you were afraid. RIKER Yes. GUINAN Of me? STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 29. 80A CONTINUED: (2) RIKER Of us. Of what we could become... WESLEY Commander Riker... They ignore him. RIKER ... and that you might have thought it was a line. GUINAN Maybe I do think it's a line. RIKER Then you think I'm not sincere? GUINAN I didn't say that. There's nothing wrong with a line. It's like a knock on the door. RIKER Then you're inviting me in? GUINAN I'm not sending you away. RIKER That's more than I expected. GUINAN But is it more than you hoped? RIKER To hope is to recognize the possibility. I had only dreams. GUINAN Dreams can be dangerous. RIKER Not these dreams. He looks into her eyes. RIKER (continuing) I dream of a galaxy where your eyes are stars... And all the universe worships night. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 30. 80A CONTINUED: (3) GUINAN Careful, if you place me too high on a pedestal, you won't be able to reach me. RIKER Then I'll learn to fly. You are the heart in my day and the soul in my night. Wesley taps Guinan on the arm. WESLEY I don't think this is my style. GUINAN Shut up, kid. (to Riker, dreamily) Now, tell me more about my eyes. DISSOLVE BACK TO: 81 INT. SICKBAY (OPTICAL) Riker's face is calmer. WIDEN to reveal Pulaski and Troi. Troi is concentrating. TROI He's relaxed... experiencing feelings of warmth. Friendship. PULASKI He's reliving memories. That's a natural side effect of the neural stimulation. Pulaski punches up the diagram of Riker's body with the organism highlighted. To her surprise: PULASKI (cont'd) Look at this! The organisms' metabolism has changed. I wonder if the stimulation is affecting them somehow... Pulaski again adjusts the device. PULASKI (cont'd) I'm going to refocus the impulse pattern on the interpretative cortex. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 31. 81 CONTINUED: TROI Will that intensify the commander's memories? PULASKI Exactly. And we'll see if that has an effect on the microbes... Pulaski activates the device -- 81A ON RIKER as we PUSH IN again and DISSOLVE TO: 81B OMITTED 81C INT. COUNCIL CHAMBERS (STOCK FROM #109 SCENES 12-13)) The kind of place you'd like to visit. No particularly formalized furnishing plan -- it includes just about any way anyone would like to sit or loll. The same sort of revealing but sensible garb here too -- along with good humor. In fact, joy is what is mainly present here. Lots of fruit, nuts, food and drink selections. A MUSIC GROUP of harpists in sight -- admittedly strange looking harps on which they compose, and now and then PLAY LILTING MUSIC which, like everything else, is not taken too seriously here either. RIVAN Everyone! We've brought the visitors! LIATOR (gesturing to away team) Please enjoy what we have! 81D EMPHASIZING ENTERPRISE PEOPLE as they are taken charge of with great hospitality. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 32. 81E INT. COUNCIL CHAMBERS (STOCK FROM #109 SCENES 31-31A) TRUCKING WITH RIKER as he passes through the Council Chamber bemused at the sight of the Edo of all ages and both sexes enjoying music, food, and each other. He comes to three who are playing a game with what appear to be marbles, each holding one to five of them hidden in the hand, then all of them simultaneously revealing how many each of them holds. We don't have to know the rules -- they know them and two of them will LAUGH delightedly at the total of marbles exposed. One will HANG HIS/HER HEAD in mock despair. Then when they look up to find Riker watching, they extend marbles to him, an offer to let him play too. EDO MARBLE PLAYER This will please you. Join us! RIKER (grins; shakes head) Another time. Thanks. Riker moves on a couple of steps to where an Edo man and woman, partially unclothed, are laying on a couch locked in an embrace. If they're not actually making love now, it is clear they will be doing it any moment now. As Riker pauses a female EDO SPECTATOR passes through, patting him on the backside. EDO SPECTATOR Joy and happiness! RIKER Certainly is. Riker smiles again, moving on through the room. 81F ANGLE ON WORF as Riker moves into TWO SHOT with him. RIKER The good life, Worf. WORF I am not concerned with pleasure, Commander. I am a warrior. RIKER Even Klingons must need love now and then. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 33. 81F CONTINUED: WORF For what we consider love, sir, I would need a Klingon woman. RIKER (eyes Worf curiously) How about plain old basic sex? You must have some need for that. WORF Of course. But with the females who are available to me... Earth females... I must restrain myself too much. They are quite fragile, sir. RIKER (eyes him again) Worf, if anyone else said that, I'd suspect he was bragging. WORF (puzzled) "Bragging," sir? 81G INT. HOLODECK (STOCK FROM #116 SCENES 21 THRU 27) This three-dimensional, computer-generated image is so beautiful it takes Riker's breath. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 34. 81G CONTINUED: RIKER (to the Bynars) Gentlemen, if this is what you call "enhancement" you have a gift for understatement. He CROSSES to the beautiful WOMAN. 81H ANGLE ON WOMAN'S TABLE As Riker sits down, the IMAGES COME TO LIFE. The combo BEGINS TO PLAY, the woman (Minuet) MOVES. 81I RIKER AND WOMAN He looks at her with interest. RIKER What's your name, and tell me you love jazz. MINUET My name is Minuet. I love all jazz except Dixieland. RIKER Why not Dixieland? MINUET Because you can't dance to it. RIKER My girl. 81J ANGLE ON TABLE WITH RIKER AND MINUET (OPTICAL) A slight change occurs in Minuet. The way she looks at Riker is more personal. RIKER (slyly) What's a knockout like you doing in a computer-generated joint like this? MINUET Waiting for you. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 35. 81J CONTINUED: Her voice is deeper, sexier. Her eyes are warm, liquid, inviting. RIKER Waiting for me?!! You can't be serious? MINUET Oh yes, Will -- I've never been more serious in my life. Riker is knocked a little off balance by her look and her directness. DISSOLVE TO: 81K INT. HOLODECK (STOCK FROM #116 SCENES 41 THRU 42) Riker APPROACHES the table. Minuet smiles a greeting. RIKER I am going to have to leave you for a while and see to my duties. MINUET Your work is very important to you. RIKER It is me -- it's what I am. MINUET Can we dance once before you leave? The invitation is so effortlessly offered -- and the woman so appealing -- who could resist? RIKER Sure, why not. She rises. He leads her to the little dance floor. 81L ON THE DANCE FLOOR As they STEP ONTO the dance floor, Minuet turns and folds herself into his arms. They dance. It's slow and sexy. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 36. 81L CONTINUED: RIKER How did you learn to dance so well? MINUET From following you. Riker is puzzled and amused at the same time. MINUET I can anticipate your lead. Tell me more about your work -- what is it about it that consumes and enthralls you? RIKER What an interesting choice of words. That's exactly what it does. MINUET You are very fortunate. RIKER I know that. MINUET At this point in your life to be exactly where you want to be... And it's wonderful that you realize it. RIKER I'd be a fool not to know how lucky I am to be on this ship serving with this group of people. It's a dream come true. She snuggles in a little closer. RIKER (continuing) Just like this. MINUET A dream? Is that what this is? Is that what I am? She fills up his senses. He holds her away, to look at her. Her fragrance -- the lightness of her touch. Her movement. Riker is becoming captivated by her. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 37. 81L CONTINUED: (2) As a woman can, she senses what he's feeling and leans back to look in his eyes. RIKER I know you are a computer-generated image... but your smell, the way you feel, your touch, even the way you talk and think is so real. MINUET Thank you. RIKER How far can this relationship go? I mean, how real are you? MINUET As real as you need me to be. Then a look. To underline her words, she molds herself against him. DISSOLVE BACK TO: 82 thru OMITTED 82A 82AA INT. SICKBAY CLOSE on Riker's face. PAN up to Troi's face -- which is a bit flushed. Pulaski notices. PULASKI Something wrong? TROI No... it's just that... Commander Riker's emotions are rather... passionate. PULASKI As in -- erotic? TROI (nods) Very much so. Pulaski smiles. PAN back to Riker's face and DISSOLVE TO: STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 38. 82B INT. RIKER'S QUARTERS (STOCK FROM #144 SCENE 24A) BRENNA William, is something wrong? RIKER What do you mean? BRENNA Do you not like girls? RIKER Of course I like... Oh... is there a technique to this foot washing? Brenna approaches him. Unhooks her skirt. It puddles about her feet, and she steps out of it wearing a pretty petticoat. BRENNA You generally start at the top... and work your way down. Riker reaches up and pulls the pins from her long hair. It cascades over her shoulders. RIKER I think I can handle that. They are in each other's arms now. BRENNA I was hoping you might. They embrace... 83 INT. EXECUTIVE OFFICE (STOCK FROM #115 SCENE 42) Beata touches his chest. BEATA I like the way your eyes pick up the color of your tunic. He shifts his body to avoid her hand. RIKER It's not our place to interfere in the domestic affairs of other societies. She reaches across him to pick up the bottle of liquor and freshen his drink. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 39. 83 CONTINUED: BEATA But you can interact, can't you? RIKER Of course. Otherwise, how can we learn? BEATA And that's why you're here, tonight, with me... to learn? RIKER Yes. BEATA ... About our society. RIKER Yes. BEATA In our society, it's men who are the fortunate ones, enjoying all that life has to offer, while we women devote ourselves to the obligations of making life work. RIKER In our society we share the responsibilities and the pleasures equally. BEATA Don't be defensive. I'd be the last to imply that men are inferior. RIKER Or I, that women are. That's why I can be here with you while the women on the away team go to find Ramsey. BEATA I must remember to thank them when they return for giving us this time. She moves closer. She touches him and kisses him softly on the cheek. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 40. 83 CONTINUED: (2) BEATA You resist... Why? Do you not find me attractive? RIKER Oh... Yes I find you very attractive. BEATA Don't you feel you know me well enough? Riker hesitates, bemused. BEATA You attract me like no man ever has. RIKER I'm flattered. I don't know what to say. DISSOLVE BACK TO: 84 thru OMITTED 85 86 INT. SICKBAY (OPTICAL) CLOSE on Riker. WIDEN to reveal Troi composing herself as Pulaski punches up the highlighted view of Riker's body and nervous system. To Pulaski and Troi's dismay, the highlighting is stronger than ever. PULASKI The organisms responded, all right. Their growth rate has doubled. Troi's frustration surfaces as she looks from Riker back to the wall panel. TROI Then all we've done is make things worse... On Pulaski's grim expression: FADE OUT. END OF ACT THREE STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 41. ACT FOUR FADE IN: 87 OMITTED 88 INT. SICKBAY Pulaski moves from the monitor to Troi's side. PULASKI Now we know the organism's growth rate is related to the memories he's experiencing. TROI Or the emotions they produce. PULASKI Different mental processes generate different chemicals. Perhaps the organisms are sensitive to brain endorphins. TROI And if some types of endorphins attract them... PULASKI (nods) ... others will repel them. Pulaski's fingers fly over the controls of the device. PULASKI (cont'd) I'm going to change the differential current pattern and see what happens. The device is activated -- 89 CLOSE ON RIKER - PUSH IN DISSOLVE TO: 89A thru OMITTED 89B STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 42. 89C EXT. PLANET SURFACE (STOCK FROM #122 SCENE C21-22) Riker moves a STEP CLOSER to the slime creature. RIKER I am Commander William Riker of the USS Enterprise. ARMUS I am ARMUS. You are in my space. RIKER We mean you no harm. We have an injured crew in that shuttlecraft. We need to get to them. May we pass? ARMUS You haven't given me a good enough reason yet. RIKER Preserving life -- all life -- is very important to us. ARMUS Why? RIKER We believe that everything in the Universe has a right to exist. ARMUS An interesting notion which I do not share. You may now leave if you wish. Riker and the crew are startled. TASHA We won't go without the shuttle crew. The Shroud REMAINS SILENT as Tasha makes a slight MOVE TO GO AROUND IT. ARMUS I warn you. You will not like it here. TASHA What are you saying -- that you are going to deny us access to our comrades? STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 43. 89C CONTINUED: ARMUS I told you what you can do. You can leave. I have no interest in any further discussion or argument. Tasha has had enough of this and starts to move toward the narrowest strip of slime. TASHA Enough. We have people who need attention. We will not harm you, but we must help them. ARMUS FLICKS HIS FINGER, sending an ENERGY FORCE towards Tasha, JERKING HER BACK and SLAMMING HER DOWN to the ground. Everything from here on must happen in a blur of action. Beverly jumps to Tasha's side. Riker and Data MOVE BETWEEN the others and BLAST ARMUS with their phasers. 89D EXT. PLANET SURFACE (STOCK FROM #122 SCENE 24C) Angle on Tasha's body and the others around her. Beverly quickly takes a reading. She can't believe the instruments. BEVERLY She's dead. 89E INT. SICKBAY (STOCK FROM #122 SCENES 30 THRU 34) The medical team is easing Tasha onto the operating table as Picard ENTERS. Beverly barely glances up at him. He MOVES OFF TO THE SIDE and watches silently, with Data and Riker, as: PICARD Status, Doctor? BEVERLY Unchanged. The diagnostic screen shows her bodily readings to be totally askew. Beverly and the nurse work together as if they'd done this a hundred times before, attaching the clamshell device onto the bed, over Tasha's body. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 44. 89E CONTINUED: PICARD Can you bring her back? BEVERLY I'm trying. RIKER (hopeful) You've saved people before. You can save her. BEVERLY Neural stimulator. The nurse immediately helps her attach the device, which clips onto the bed and slips over Tasha's head like a loose headband. As soon as both devices are activated, Beverly and the Nurse anxiously watch the diagnostic screen. A FEW KEY INDICATORS APPROACH NORMALITY. Picard is anxious and impatient. RIKER There. You did it. BEVERLY No. I've got her on total support. There's no independent brain activity. Beverly grimly and quickly works the neural stimulator. She pushes programming keys furiously, then hits the start button. No reaction. NURSE She's not responding, Doctor. Her synaptic network is breaking down. BEVERLY No! Inject norep. The nurse complies as Beverly reprograms the stimulator. Nothing happens. BEVERLY (continuing) We're going for direct reticular stimulation. The nurse looks at her sharply. It's risky. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 45. 89E CONTINUED: (2) BEVERLY (continuing) Doesn't matter! Do it! The nurse punches it in, and Tasha's body TWITCHES SLIGHTLY. Picard looks hopefully at Riker. NURSE Neurons are beginning to depolarize. Beverly is desperate, but calm. BEVERLY Increase to seventy microvolts. The nurse complies. Beverly pushes the button. Tasha MOVES SLIGHTLY -- VERY SLIGHTLY. Beverly checks the readout. Data and Riker look at each other -- it's not good. RIKER (urgently) Doctor? BEVERLY Eighty-five microvolts. They quickly try again. And again. Finally, there is NO MOVEMENT in Tasha at all. Beverly slowly turns to Picard. BEVERLY She's gone. PICARD Gone? BEVERLY There's too much synaptic damage. That thing just sucked all the life out of her. There's nothing I can do... Picard, Riker and Data seem rooted to the spot. Beverly reluctantly pushes in a code on the overbed life support clamshell. She and the others look up at the big diagnostic wall screen and watch all the LIFE FUNCTION INDICATORS FALL TO ZERO. They REACT to the finality of this. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 46. 89F INT. PLANET DISASTER AREA (STOCK, #111 SC. 70 TO 84) The away reserve team MATERIALIZES. They are in a passageway which has been severely damaged by explosions. Water SPRAYS from the ceiling and is already ankle deep on the floor. Data scans the area with his tricorder. DATA This way. They push ahead. 89G ANOTHER ANGLE - CORRIDOR as they ARRIVE at a doorway. The door has been jammed by the explosion. Data steps over and with his great strength -- rips the door off its hinges and clears the opening. The survivors are here. ABOUT A DOZEN of them, huddled together on the far side. Beverly and her teams wade through the water to them. 89H ANGLE ON BEVERLY AND SURVIVORS As she kneels beside an injured WOMAN. BEVERLY You are going to be all right, now. RIKER Where are the others? The woman shakes her head. WOMAN Gone. It's just us. GEORDI (urgent) Commander! Riker turns. 89I ANGLE ON GEORDI CAMERA MOVES IN TO E.C.U. Geordi is staring at a pile of rubble. GEORDI There's someone there! STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 47. 89J ANGLE ON DATA With great strength he moves huge rocks with remarkable rapidity. 89K ANGLE ON GEORDI AND RIKER They stand and look for a beat, then: 89L ANGLE ON DATA as he lifts and carries the limp body of a child. 89M ANOTHER ANGLE Beverly rushes over and while Data holds the child, she quickly examines him. 89N ANGLE ON BEVERLY AND CHILD From her expression it is clear the child is dead. All of her skill will not help. BEVERLY She's dead. If we'd only gotten here a little sooner... ! 89O ANGLE ON RIKER He steps closer. A dead child. A moment of truth. DATA Sir, if you indeed have "Q"'s power... 89P ANGLE ON RIKER He is fighting his emotions. 89Q ANGLE INCLUDING BEVERLY Puzzled. BEVERLY (to Riker) I don't understand. Certainly you can't bring her back to life? STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 48. 89Q CONTINUED: RIKER (long beat) I'm prevented from that by a promise. Beverly is surprised and puzzled; Riker is very troubled. 89R INT. TROI'S QUARTERS (STOCK, #127 SC. 81 THRU 84) as Pulaski leads the others to Troi's quarters. TROI It's Ian. Please... please hurry. Pulaski moves quickly to the unconscious child, pulls back the covers. She removes an instrument from her smock and makes a scan of the child's body. In the b.g., Picard enters with Riker and Data. TROI (continuing) Save him, you must save him. PULASKI What happened? Did he eat anything? Did he fall? TROI No. Data, using his tricorder, confirms with a nod to Riker. DATA The child is the source of the unusual radiation. TROI He said he's the reason the ship is in danger. DATA That analysis is correct. Pulaski injects the child with hypospray. PULASKI I'm losing life signs. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 49. 89R CONTINUED: Troi stands by helplessly. Like any mother in this situation, she is beyond grief. Tears streak her face. TROI Oh, please. Please save him. 89S PULASKI resets the injector and again she administers a dose of hypospray. She waits for a reaction. There is none. 89T ANOTHER ANGLE (OPTICAL) The room is very quiet. Pulaski stands. PULASKI I'm sorry. Troi moves next to the cot on which the child is lying. She is beyond despair. Her heart has completely broken. The others allow her a moment alone, then as Riker is about to move to Troi's side, a LIGHT -- the glowing energy which we saw at the beginning -- gathers from within the child and slowly rises. As it does, the body that was Ian fades away until there is only the LIGHT. 89U INTERCUT REACTIONS (OPTICAL) Troi reaches out and with cupped hands she collects the LIGHT, cradles it gently and brings it to her. As she holds it close, it makes her face all aglow. Slowly the pain and despair drain away, and through the tears she smiles. The joy she now feels shines from her eyes. The Betazoid within her, embraces the essence of the entity before her and she knows now why he came and what he wanted. Then, in an act of pure love, she releases the glowing energy as she would a dove. For a beat the LIGHT seems reluctant to leave. Then it does. It passes effortlessly through the wall of the ship and away. Troi stares after it for a beat. GEORDI'S COM VOICE (excited -- relieved) Captain. The containment field has stabilized. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 50. 89U CONTINUED: PICARD Thank you, Lieutenant. Troi turns and looks at her captain and shipmates. TROI Then Ian was right. He was the cause. PICARD Apparently so. Troi pauses, gathering her feelings and picking her words carefully. She settles her emotions. TROI He is a life-force entity... as we passed each other in space he was curious and wanted to know about us, and he thought the best way to learn was to go through the process. To be born, to live as one of us and in that way to understand us. She pauses, then: TROI (continuing) Captain, he never meant any harm. Picard nods -- he knows that is true. RIKER There was a moment when you smiled. TROI (she smiles again) He said thank you. (she pauses) I told him we will miss him -- and I will. The others will also miss him. DISSOLVE BACK TO: STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 51. 90 thru OMITTED 94 95 INT. SICKBAY (OPTICAL) CLOSE on Riker; WIDEN to include Troi and Pulaski, who are encouraged as they observe the panel showing Riker's nervous system. The highlighting has dimmed just a bit. PULASKI The growth rate has definitely slowed. What is he feeling? Can you tell? TROI Sadness. PULASKI Just the opposite of before -- and it's having the opposite effect on the infection. TROI Then your theory is correct. The organisms are sensitive to different types of endorphins. PULASKI And negative emotions... TROI Such as sadness... PULASKI ... produce endorphins that inhibit the organisms' growth. TROI Then we've found a way to repel the infection. PULASKI Assuming we're not already too late. TROI How much time do we have? PULASKI I'm not sure. His vital signs are getting weaker. I don't want to risk another dose of tricordrazine unless I have to... STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 51A. 95 CONTINUED: Pulaski watches the vital signs for another beat, makes a decision. She adjusts the device. PULASKI (cont'd) I'm refocusing the pattern again. We need to isolate memories that generate stronger negative emotions. 95A ON RIKER A quick, reflexive movement as the pattern of current changes -- DISSOLVE TO: STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 52. 95B thru OMITTED 95D 95E INT. PAGH - MAIN BRIDGE (STOCK, #134 SC. 33-33E) Riker and his escort enter onto the bridge. The same sparse but functional look. The bridge is manned by FIVE CREWMEMBERS at varying stations. Captain Kargan is seated in the Command Chair. SECOND OFFICER KLAG stands next to him. They are businesslike in their appraisal of Riker. Firm but not harsh. Riker steps forward. RIKER I am Commander William Riker of the Starship Enterprise. KARGAN That is incorrect. RIKER (beat) I don't understand. KARGAN You are Commander Riker, first officer of the Klingon Cruiser Pagh, or do you intend to disobey Federation orders? RIKER I have no such intentions, Captain. KARGAN Exactly where are your loyalties, Commander? RIKER I'm afraid I still don't understand. Kargan explains carefully in a low, calm voice. KARGAN This ship is equipped with our best weapons and our finest warriors. Although we are on a peaceful mission we are prepared to go into battle instantly. (more) STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 53. 95E CONTINUED: KARGAN (cont'd) I know I can count on every Klingon warrior in this crew to serve and die in that battle. So I ask again Commander Riker, (beat) where are your loyalties? RIKER I have been assigned here to serve this ship and to obey your orders. I will do exactly that. KARGAN Will you take an oath to that effect? RIKER (meets his gaze) I just did. Klag interjects firmly to Captain Kargan. KLAG yI-Har-Qo! nep-we' ghaH! (Do not believe him! He lies!) KARGAN (to Klag) Hol-chaj yI-jatlh. (Speak in their language.) (to Riker) This is your second officer, Lieutenant Klag. RIKER Was there something you wanted to say to me, Lieutenant? KLAG Yes sir. (beat) I don't believe you. RIKER Then I take it you challenge my authority over you. KLAG Correct. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 54. 95E CONTINUED: (2) RIKER (to Kargan) And your position in this, Captain? KARGAN (with disdain) I would call it your first command decision. Riker looks around the Main Bridge at the other crewmembers. 95F RIKER'S POV The Klingon crewmembers watch him, waiting to see his reaction to this challenge. 95G SCENE Riker eyes the arrogant stance and size of Klag who gives him an insubordinate snort. Riker realizes he has no choice. He deftly, with no advance warning or aggressive motion, swings a two-handed blow with his full strength and lands a monstrous blow across the chest of Klag. 95H SERIES OF CUTS The sound of the blow against Klag's chest armor echoes through the bridge and is followed by the roar of his breath leaving his body, and then his bulk smashing against the bulkhead and slipping to the ground. Riker calmly steps around the still-seated captain and steps in front of Klag who is struggling to his feet. Klag is almost to his feet when Riker swings again, this time taking the legs out from under Klag who drops to the ground again. The crewmembers are animated and watch the fight with relish, not caring who wins or loses but that there is combat. Riker looks over to the captain. Captain Kargan simply sits back and allows it to continue. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 55. 95H CONTINUED: Riker turns back to the dazed but still active Klag who is once more attempting to get to his feet. Riker eyes the combatant with a calculated but astonished eye. Klag can barely stand but bravely fights for balance. Riker shrugs, and rams his fist into Klag's stomach, then drops him with another double-handed blow over the head. 95I SCENE Kargan applauds with a grunt and a motion of his head. Klag is awake but prone. He struggles to his feet, manages to prop himself against the wall. Klag gives Riker as much a look of respect as he is able... 95J ON RIKER RIKER My oath is between Captain Kargan and myself. Your only concern is how to obey my orders. (beat) Or do you prefer the rank of prisoner over that of lieutenant? Klag calculates Riker carefully, then: KLAG I will take your orders. Riker nods his acceptance. Klag returns it. Kargan interjects: KARGAN And you, Commander Riker, will obey my orders. RIKER Agreed, Captain Kargan. Riker turns away from the captain, and when no one can see him he lets his breath out. 95K INT. QUINN'S GUEST QUARTERS (STOCK, #125 SC. 71) Quinn is sitting on the sofa, blankly staring into his slightly opened briefcase. Riker ENTERS, catching him off guard... STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 56. 95K CONTINUED: RIKER Ready for your tour, Admiral? Quinn quickly stands, but Riker has seen the briefcase... QUINN Quite ready, Commander. RIKER What's in the case? From where he stands, Riker can barely see a few delicate-looking tendrils coming out of its opening... He looks at the admiral somewhat suspiciously... QUINN (thoughtful) Actually... I brought this for Doctor Crusher. But perhaps you'd like you to see it first? RIKER (slowly moving closer) What is it? QUINN A form of life. Discovered quite accidentally by a survey team on a distant uncharted planet. RIKER Why haven't we heard anything about that? QUINN Oh, you'll be hearing more about it shortly. But first there is much scientific study to be done. After all, this is a superior life-form. RIKER Superior? QUINN Totally. (voice grows hard) Now come, Riker. Take a good look. Riker stands where he is, uncertain of what to do. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 57. 95K CONTINUED: (2) RIKER I think I'll summon our science officer -- QUINN It won't like your science officer. It likes you. (rises, grabs Riker's arm) Now look! Riker looks down at his arm and grimaces; Quinn is squeezing it with tremendous force. Riker grasps the old man's wrist and tries to pull it off him... he can't. QUINN (dark smile) Vitamins. They do wonders for the body. RIKER CRIES OUT -- it feels like Quinn is crushing his arm. Unable to break free, HE RAISES HIS OTHER ARM TO STRIKE the admiral. Riker's BLOW IS BLOCKED and QUINN responds by effortlessly THROWING HIM backwards toward the wall. The FIRST OFFICER hits it at breakneck speed and CRUMPLES TO THE FLOOR, severely dazed... QUINN (dry -- evil smile) Ahh, your life is so painful now. But soon you'll be one of us. Before Riker can clear his head, QUINN ATTACKS again -- rapping him across the chin WITH A KARATE KICK. Riker staggers to his feet -- Quinn swings from the heels with a sure knockout blow... RIKER DUCKS under it and puts all his weight behind a powerful PUNCH to THE ADMIRAL'S solar plexus. For a moment, Quinn seems effected, sucking in his stomach and gasping for air... But it quickly passes and he straightens and smiles at a disbelieving Riker, before DEALING HIM A vicious double fisted BACKHAND. Riker hits his communicator. RIKER (pained, weak) Riker to security. Emergency -- QUINN'S final blow KNOCKS RIKER OUT before he can say another word... STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 58. 95L EXT. PLANET SURFACE (STOCK FROM #122 SCENE 51C) ARMUS HAS MOVED OFF THE SHUTTLE AND as it APPROACHES THE GROUP, Riker suddenly feels a great force pull him. He calls out. Data MOVES to help him. ARMUS (as slime) Touch him and he dies. As the away team watches, Riker -- fighting with all his might -- is pulled inexorably toward the slime. From the other direction, Armus also MOVES toward the hole. As the creature's SHRIEK joins RIKER'S SCREAM, the two SLIP INTO THE SLIME HOLE and DISAPPEAR. For a beat there is nothing. Then: WE CAN SEE only RIKER'S FACE PRESSED AGAINST THE SKIN. DATA Enterprise, ARMUS has enveloped Commander Riker. PICARD'S COM VOICE I'm beaming you up! ARMUS If any of you leave now, he dies. And so do the survivors of the crash. The team REACTS. DISSOLVE BACK TO: 96 thru OMITTED 106 107 INT. SICKBAY CLOSE on the unconscious Riker, under terrific stress -- his muscles tensed, his face sweating. 108 WIDER (OPTICAL) to include Pulaski and Troi. On the wall panel, the highlighting showing the organism's presence has remained the same. PULASKI We've reduced the growth rate even further... but not enough. STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 59. 109 ON PULASKI checking the monitor. She's concerned about Riker's low and erratic vital signs. PULASKI And his vital signs are deteriorating. TROI But we've isolated the specific areas to stimulate. The feelings were very primal... survival emotions. PULASKI They must be producing a type of endorphin that's poisonous to the organisms. TROI Can you intensify those emotions? PULASKI (nods) I can refocus the impulse pattern even tighter. She glances again at the vital signs monitor. PULASKI (cont'd) But I don't know if he can withstand it. He's extremely weak. TROI Do we have a choice? Pulaski moves to the device, prepares to activate it once again. PULASKI No. If we don't neutralize the infection within half an hour, he'll be dead. FADE OUT. END OF ACT FOUR STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 60. ACT FIVE FADE IN: 109A EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) In orbit. PULASKI (V.O.) Medical log, supplemental. Commander Riker's condition is still critical. 110 INT. SICKBAY Pulaski is preparing to give Riker another zap from the device. PULASKI (V.O., cont'd) I've discovered a way to reverse the infection's growth rate -- but I may be too late. Everything's ready. Pulaski glances at the monitor as she works. Troi can see that Pulaski isn't pleased with Riker's vital signs: TROI He's getting weaker, isn't he? PULASKI (nods) Respiration shallow, heartbeat extremely irregular. She shakes her head. PULASKI (cont'd) But we can't delay any longer... Troi nods agreement. Pulaski activates the device. 111 PUSH IN ON RIKER unconscious, but growing rigid as the current is applied. DISSOLVE TO: STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 60A. 111A thru OMITTED 111B 111C INT. GUEST QUARTERS (STOCK FROM #123 SCENE 56B) T'Jon then turns and grabs Riker's shoulder in a death grip. WE SEE Riker immobilized by an ELECTRICAL CHARGE. T'JON Take us to our planet -- leave us there with our medicine or this person dies. Picard takes a STEP FORWARD, then STOPS. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 61. 111C CONTINUED: T'JON (continuing) Don't you see -- I have no choice. We were sent to bring back the Felicium. The suffering on my planet is too great. People are dying. It doesn't matter any more whether we are entitled to the Felicium... we have to have it. PICARD Let him go. T'JON Take us there now -- or give us a shuttle -- but we must have the medicine... if you refuse, this person dies. PICARD I will not be coerced. T'JON I'll do it. I'll kill him. The strain of the pressure is all over T'Jon. PICARD (calmly) No you won't. You're not a killer. T'Jon releases Riker, who sags a little, then catches his balance. Beverly goes to his assistance. 111D EXT. PLANET SURFACE (STOCK, #121 SC. 13A-22) Riker and Captain Rice. RICE Commander Riker, those answers make no sense. RIKER You haven't used my first name once, Paul. There is a slight hesitation. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 62. 111D CONTINUED: RIKER (continuing) You remember it, don't you? No response. Rice looks confused. RIKER (continuing) You don't, because you don't even exist. You're a fake -- an image of the original! Aren't you?... Answer me! Rice twitches -- a slight REACTION, then SUDDENLY: 111E NEW ANGLE (OPTICAL) The image of Captain Rice DISAPPEARS and is REPLACED BY A WEAPON-LIKE OBJECT. IT QUICKLY MOVES several meters away. PICARD'S COM VOICE Report, Number One. RIKER The image of Rice has been replaced by something which is hovering several meters away. 111F EXT. PLANET SURFACE (OPTICAL) Riker and the others set to beam up. RIKER Prepare to beam up. TASHA Commander. He looks as she indicates a direction. The WEAPON IS MOVING toward them. Before anyone can answer, THE WEAPON FIRES. 111G CLOSE ON RIKER (OPTICAL) The BEAM HITS HIM. He STIFFENS -- and BECOMES ENCASED IN AN ENERGY FIELD. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 63. 111H EXT. PLANET SURFACE - ANGLE ON TASHA (OPTICAL) She FIRES ON THE WEAPON AND DESTROYS IT. 111I FULL SHOT - AWAY TEAM Picard's VOICE is heard. PICARD'S COM VOICE (tense, tight) What just happened down there? Number One! Report! 111J EXT. PLANET SURFACE (OPTICAL) Tasha and Data APPROACH him. They monitor the energy field with their tricorders. PICARD'S COM VOICE Report! Report! Tasha and Data examine the energy field. TASHA He can't answer you, Captain. DATA Commander Riker has been encased in some kind of energy field. PICARD'S COM VOICE Is he alive? Data and Tasha continue to examine the energy field containing the inert form of Commander William T. Riker. DATA Unknown. 111K POV (STOCK, #107 SC. 42-43) Backlit by LIGHTNING, THREE SMALL, HAIRLESS HUMANOIDS with protruding cupped ears, dressed in strange clothing. They are armed with odd whip-like weapons. RIKER (V.O.) Who are you? At that, the leader snaps his whip toward them, unleashing a rippling electro-plasmic WAVE that races TOWARD CAMERA (OPTICAL). STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 64. 111L CLOSE - OUR TEAM Riker, Data and lucky-day Geordi are whacked with the WAVE all together... putting Geordi back to sleep. Data falls unconscious, too. Riker fights it but is hit again, and falls, unconscious. DISSOLVE BACK TO: 112 thru OMITTED 114 115 INT. SICKBAY - ON RIKER his every muscle taut. 116 WIDER (OPTICAL) Pulaski examines the wall panel. The highlighting showing the organisms' progress hasn't changed. PULASKI The growth rate's down to seven percent. She checks the monitor. The vital signs are going crazy. PULASKI (cont'd) But the organisms are still impairing his neural functions. Respiration is erratic, pulse grossly irregular, blood pressure almost nil. She makes a decision, turns to a medical crewman: PULASKI (cont'd) Tricordrazine. The medical crewman hands her the hypospray. Pulaski injects Riker, looks at the monitor, shakes her head -- vital signs are better, but still not good. TROI Can we tighten the pattern further? Pulaski considers, nods, and makes an adjustment to the device, intensifying the pattern of current. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 65. 117 ON RIKER sweating more profusely. DISSOLVE TO: 117A INT. ENGINEERING (STOCK FROM #116 SCENE 70) The destruct computer is separate from the main computer and is used for this type of emergency only. COMPUTER Recognize Picard, Jean-Luc, Captain... (pause) Recognize Riker, William T., Commander. PICARD Set auto-destruct sequence. COMPUTER Does the first officer concur? RIKER ... Yes. Set auto-destruct sequence -- now! A small sign ILLUMINATES "AUTO-DESTRUCT IN (TIME)." COMPUTER Auto-destruct will detonate in four minutes and fifty-nine seconds... four minutes and fifty-eight seconds... four minutes and fifty-seven seconds... PICARD Let's go. The only place we can stop the count is from the bridge. 117B INT. MAIN BRIDGE (STOCK FROM #128 SCENE 117A) There is the familiar starfield on the viewscreen as Picard enters from the turbolift. Geordi and Pulaski are not present. The AFT PANELS FLASH that AUTO-DESTRUCT is ENGAGED. COMPUTER VOICE Thirty seconds to auto-destruct. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 66. 117B CONTINUED: DATA Captain, we are clear of the void. You may stop the auto-destruct. PICARD Data, on any heading -- warp six -- now! 117C EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) stretches into warp. 117D INT. MAIN BRIDGE (STOCK FROM #128 SCENE 117E) Picard's resolve is undiminished. RIKER Captain. PICARD I don't believe it, Number One. It could still be part of the illusion. Data, report. DATA All navigational systems confirm -- we are at warp six -- on course... No one even breathes for a long moment... 117E INT. MAIN BRIDGE - (STOCK FROM #143 SCENE 60B & 60D) Riker stands before the viewscreen, Worf ready at his station as they hear: COMPUTER (V.O.) Seventeen... sixteen... fifteen... fourteen... WORF Firing sequence proceeding, sir. RIKER Hold fast. COMPUTER (V.O.) Eleven... ten... nine... STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 67. 117E CONTINUED: Riker reacts to what he sees on the viewscreen, looks to Worf as they listen to: COMPUTER (V.O.) six... five... four... three... Tension mounts as: QUICK CUT TO: 117F INT. BATRIS - ENGINEERING (STOCK, #120 SC. 47-56) The Klingon, KORRIS, moves forward to begin formalized greetings. KORRIS I am Korris. RIKER We'll handle the formalities later -- right now we have to get off this ship. Are there any others still alive? KORRIS No. Data APPEARS in the torn hatchway. DATA I believe there is a quicker way out of here. GEORDI Let's go. Riker indicates a third figure on the floor. RIKER Check him Data. Data steps over and scans the figure with his tricorder. DATA He is alive -- but just barely. RIKER Pick him up and let's get out of here. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 68. 117F CONTINUED: Data starts to lift the stricken man. Korris steps up beside Data. KORRIS No. I will carry him. DATA As you wish. INT. BATRIS - CORRIDOR as the group hurries through the debris. There is a BOILING, RUMBLING EFFECT on the ship. GEORDI We're out of time, Commander -- the ship's going to blow. RIKER Transporter Room, have you got a lock on us? TASHA'S COM VOICE Not yet. Too much interference. You have to get farther away from the Engineering section. Behind them there is an ominous change in the GAS BUILDUP. INT. BATRIS - CORRIDOR They come to a bend in the corridor, turn the corner and bump into a solid wall of debris. RIKER End of the line. Transporter Room, we've gone as far as we can. Get us off -- now! The away team and the Klingons stand ready to beam. INT. BATRIS - CORRIDOR (OPTICAL) The BEAM OUT BEGINS, then STOPS, then TRIES TO START again. INT. TRANSPORTER ROOM Tasha shakes her head in frustration, makes an attempt to fine-tune her equipment and tries again. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 69. 117F CONTINUED: (2) INT. BATRIS - CORRIDOR A CLOUD BOILS up at the end of the corridor. There is a CRACKLING SOUND, followed by a RUMBLE. ANGLE ON THE AWAY TEAM They REACT. EXT. SPACE - THE BATRIS (OPTICAL) As it BLOWS UP. QUICK CUT TO: 117G EXT. SPACE (STOCK, #103 SC. 108-130) The Enterprise and the Tsiolkovsky are still tied by the tractor beam, motionless. Riker's voice reveals the strain he is under. RIKER'S VOICE Ship's log, First Officer Riker. The star has begun disintegrating. Enterprise will be destroyed unless it can be moved out of the path of the star material hurtling... EXT. SPACE - EXPLODED MASS OF MATERIAL (OPTICAL) It is large, irregularly shaped, moving very fast as it was hurled off the star's surface with more power than a hydrogen bomb. To gain a sense of size, it should BLOCK OUT A WHOLE SECTION OF THE STARFIELD as it PASSES CAMERA. RIKER'S VOICE (continuing) ... toward us. Our only hope is for Lieutenant Commander Data in the time we have left, to regain his senses and reconnect engine power to the bridge. INT. ENGINEER'S OFFICE - ON MACDOUGAL She is on her knees on the floor, vainly trying to sort out which optical chips belong where. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 70. 117G CONTINUED: ANGLE ON RIKER AND DATA as they ENTER FAST. MacDougal looks up at Riker, helplessly indicates the chip chaos. Data smiles at Wesley, who grins back cheerfully. Both are still smashed. WESLEY Hi, Mister Data. DATA Nice to see you, Wesley. What... ? RIKER (overlapping; urgently indicating) Data! We need the engines on-line in a hurry, remember? Meanwhile, Riker is now beginning to perspire like others who have been "infected." WESLEY Oh yes, I remember too. (to Data) So, Data, if you don't mind... RIKER (fast; to Wesley) We've no time for courtesy! (fast; to Data) Get those damned control chips back in place, Data! In the correct order! Data hesitates, surprised at Riker shouting at him. RIKER (continuing) NOW! WESLEY (to Data) It's like a game of "how fast can you do it?" DATA Ah, a game! Data begins selecting chips, beginning to move more and more rapidly. Wesley moves to the Engineering Room viewer, adjusts the controls there. STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 71. 117G CONTINUED: (2) WESLEY I think I can switch this to the Main Viewer, sir... ANOTHER ANGLE - VIEWER (OPTICAL) as it switches to a SHOT OF THE STAR MATERIAL IN DISTANCE BUT RACING TOWARD THEM. ANGLE EMPHASIZING RIKER turning from viewer to Data. RIKER We've got eight or nine minutes, at most, Data. Can you finish by then? ANGLE EMPHASIZING DATA If necessary, UNDERCRANK CAMERA now to show Data's hands are moving very fast. He seems to be calculating Riker's questions, then shakes his head without looking up: DATA No. This will take slightly more time than we have, sir. Riker becomes aware that his hand is wet, realizes he is "infected" too. RIKER Dammit, NO! I can't afford to get it! He stands, sways, grabs for support. EXT. SPACE - MASS OF MATERIAL FROM STAR (OPTICAL) hurtling through space -- too fast. CLOSE ON DATA AND HIS HANDS UNDERCRANK CAMERA. His hands are flying -- almost a blur. More and and more of the isolinear optical chips are set in the command computer board. DATA If we had just a minute more, sir... STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 72. 117G CONTINUED: (3) ANGLE ON WESLEY He looks up toward Engineering Room viewer. CLOSE ON VIEWSCREEN (OPTICAL) The mass of star material closer, hurtling toward them. WIDER ANGLE as Picard bursts in, presses his hypo against MacDougal, then Riker, then another person, etc. RIKER We didn't make it, Captain. If we had just a minute or so more... EXT. SPACE - ENTERPRISE, TSIOLKOVSKY (OPTICAL) with the star material looming large as it rushes down upon them. INT. ENGINEER'S OFFICE - ON WESLEY His fingers begin to dance on the panel. WESLEY Yes, then reversing power leads, back through the force activator... repulser beam hard against the Tsiolkovsky... EXT. SPACE - ENTERPRISE, TSIOLKOVSKY (OPTICAL) The Tsiolkovsky now begins drifting to one side, beginning to spin clear with the Enterprise moving away from it. INT. ENGINEER'S OFFICE - WIDE ANGLE Riker eyes the viewer in surprise. RIKER We're pushing away! Data lifts his hands from the command computer board. The isolinear optical chips GLOW on the board. RIKER (continuing; into communicator) Bridge, engage engines! STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 73. 117G CONTINUED: (4) EXT. SPACE - TSIOLKOVSKY AND MASS OF MATERIAL The mass of material crashes into the Tsiolkovsky. Her warp and impulse engines EXPLODE SIMULTANEOUSLY on impact in a mighty BLAZE OF LIGHT. But Enterprise is accelerating out of trouble. CUT TO: 117H EXT. SPACE (STOCK OPTICAL FROM #137 SCENES 5 & 6) as a galaxy class starship (USS Yamato) explodes in a blinding flash. When the flash subsides, we have a forward view of space and a barrage of fiery objects hurtling toward us. Suddenly the saucer section, engulfed in flames and explosions, sails past us... DISSOLVE BACK TO: 118 thru OMITTED 120 121 INT. SICKBAY (OPTICAL) CLOSE on Riker, pale and deathly. WIDEN to reveal Troi and Pulaski. Troi looks at the wall panel: TROI (optimistic) The growth rate's almost zero. Pulaski shakes her head with determination -- PULASKI That's not good enough. -- and makes one more adjustment to the device. 122 RIKER He looks like a fighter after a series of hard jabs, and the memories now rush at him. DISSOLVE TO: STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 73A. 123 RIKER'S MENTAL POV A BLINDING CACOPHONY of juxtaposed IMAGES -- VOICES -- PIECES OF SCENES. The tempo quickens, builds to a climax, and -- SMASH CUT TO: STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 74. 124 INT. SICKBAY - CLOSE ON RIKER as his body jerks in a massive convulsion -- 125 WIDER ANGLE as Riker's vital signs jump -- then slowly begin returning to normal levels. Pulaski, surprised, turns to the wall panel -- 126 CLOSE ON THE WALL DISPLAY (OPTICAL) The highlighting is gone. 127 ON PULASKI AND TROI astounded. Pulaski runs the scanner over Riker's body to confirm. She taps a com panel: PULASKI Sickbay to bridge. PICARD'S COM VOICE Go ahead, Doctor. PULASKI We've eradicated the infection. PICARD'S COM VOICE I'm on my way. 127A EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL) Yes, still in orbit. 128 INT. SICKBAY - CLOSE ON RIKER as the device is rolled away. His eyes open. He's exhausted, but aware. 129 OMITTED 130 WIDER as Riker sees Troi looking at him with concern. He smiles at her to reassure her. STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 74A. 130 CONTINUED: RIKER You still here? TROI (relieved) I could ask you the same question. STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 75. 130 CONTINUED: (2) Pulaski steps up. PULASKI How do you feel? RIKER Beat. You wouldn't believe the dreams I've been having... TROI Yes, we would. PULASKI You'll be pleased to know that we've terminated the infection. RIKER Great work, Doctor. Riker tries to move, realizes his head is nailed down. RIKER (cont'd) Now, if you'll let me get out of here and back to work... PULASKI Lie still. I have a few dozen tests to run first. In b.g., Picard and Data ENTER. RIKER Why? I feel fine. PULASKI There may be some residual memory loss. I just want to make sure you still know who you are. RIKER Of course I know who I am. I'm Captain Jean-Luc Picard of the USS Enterprise. 131 ON PICARD AND DATA stepping up to Riker. STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 76. 131 CONTINUED: PICARD Delighted you're feeling better, Captain. (re: Data) The admiral and I were worried about you. Data gives Picard a confused look. DATA Sir, I do not believe you have the authority to promote me to the rank of admiral. As Picard and Riker exchange a smile, we -- FADE OUT. END OF ACT FIVE THE END